How to Irritate People | 
 enlarge | Director: Ian Fordyce
Actors: John Cleese, Tim Brooke-taylor, Graham Chapman, Michael Palin, Gillian Lind
Studio: White Star
Category: Video
List Price: $14.95
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Rating:  39 reviews
Sales Rank: 20273
Format: Color, Ntsc
Language: English (Original Language)
Rating: NR (Not Rated)
Media: VHS Tape
Number Of Items: 1
Running Time: 68 Minutes
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1
ISBN: 6302684862
UPC: 032031165632
EAN: 9786302684865
ASIN: 6302684862
Theatrical Release Date: January 21, 1969
Release Date: June 21, 1995
Availability: Usually ships in 1-2 business days
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Amazon.com
And now for something completely rare. This 1968 television special is essential for connoisseurs of British humor and, of course, Monty Python completists. A pre-Python John Cleese teams up with Michael Palin and Graham Chapman (with invaluable assistance from co-Fawlty Towers creator Connie Booth and Tim Brooke-Taylor) for sketches that serve as a master class in demonstrating insincerity, inefficiency, and all-around rude behavior "to help people become more neurotic." The tricky bit, Cleese teaches, "is to never push the unsuspecting victim too far. With skill and tact, we can keep tensions bottled up for weeks, months, eventually you may induce a nervous breakdown, or better still, actual damage to the brain cells." Cleese and company portray very irritating parents, moviegoers, waiters, and partygoers. Of special interest to Python fans will be an auto mechanic sketch that anticipates the classic "Dead Parrot" sketch, as well as the job interview sketch that later found its way into the Python repertoire. This time capsule gem is, as Cleese observes at one point, "effective, but not very subtle." --Donald Liebenson
Description
A pre-Monty Python British TV special which starred and was written by John Cleese and Graham Chapman, with Michael Palin and two or three other non-Pythons as actors, that will make you laugh and--if you follow the movie's instructions--highly unpopular, though that is, in fact, the point. There is a lot of great (and truly irritating) material in this movie. Scenes such as the restaurant sketch with John Cleese and Connie Booth; the car sales-man (an early form of the parrot sketch, so I am told), the bored pilots telling their crew not to panic, no the wings aren't on fire, please get out your life-jackets from above your heads, but do not leave your seats. This is really a wonderful collection of sketches and amusing comments and advice on irritation in between. If you want to laugh or to make others mad, buy this classic.
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| Customer Reviews: Read 34 more reviews...
 Disappointing July 30, 2008
stengel99 (Bakersfield, CA USA)
I agree with others who have written weak reviews. As a Cleese fan, I was disappointed that the pacing was so slow and that frankly it just got boring after a while. Cleese must have learned some lessons from this project, because his later work is far superior. Fawlty Towers - The Complete Series will always be a personal favorite by any comedian, any genre.
 How to irritate people February 8, 2008
C. Thompson (Adelaide South Australia)
this video dvd is both entertaining and educational - cleese is the only one who could have been this iritating
 How to Irritate People January 8, 2008
N. A. Kershaw
Great tool for discussing life with your 22 year-old son. Many clever object lessons for a young man to ponder.
The Rage of John Cleese does not disappoint January 6, 2008
S. Nathan (McPherson, KS United States)
As several previous reviewers have pointed out, the whimsy, the randomness, the spontaneity, the madcap devil-may-care attitude of Monty Python's Flying Circus is nowhere to be found here. There are seeds of it, to be sure, seeds of its darker side, but the emotions of the day here are contempt, rage, and anger. This attitude always undergirded Cleese's later work in Python, and even in later material, but here it is on full display.
Cleese rails against everyone from airline pilots to little old ladies, putting caricatures of them on center stage, exaggeratedly irritating everyone around them. But at the same time, his comedic use of them as champions of irritation is only a thin veil for his envy of their abilities. One gets the feeling that Cleese really would love to do these things to people, and perhaps even did some of them.
This rage can be mistaken early on. At first, Cleese looks nervous, on edge, particularly in his host segments. But after a few sketches, one starts to realize that the quiver in his voice and the strange urgency of his delivery style are not borne of fear or stage fright, but of an anger that cannot be put into words. Combine that with the single-minded topic of an hour and a half of sketches (unheard of for most sketch writers), and there's no mistaking Cleese's message here: "I hate you. All of you." And unlike the canned, easily seen-through bravado of Andrew Dice Clay or Joe Rogan, this is a real contempt and hatred for the audience, the population, the politicians, the technicians, the smart ones, the dumb ones, the good ones, the bad ones, and EVERYONE.
For some reviewers, that makes this film suffer in quality. I say nonsense to that. John Cleese was, to me, always the finest of the very fine Python crew, and it was because of his perpetually barely-disguised contempt for humanity. Whereas much of the troupe's material was borne of whimsy, Cleese's randomness came from what he saw as the anarchy and chaos of the mundane, things that REALLY HAPPEN to people, but with only minor tweaking seem ridiculous and laughable (Dead Parrot sketch.)
Still, towards the very end, it drags a bit. The last two sketches should have been cut, to be discovered decades later and cheaply passed off as Monty Python deleted scenes. But the final host segment brings it all right back to the towering genius that is this work.
The greatest comedy is somehow tragic in nature. The Pythons were never any different, but one always sensed that while much of the material simply depicted tragedy in a comedic, ridiculous fashion, Cleese's work was itself BORNE of tragedy and anger, brilliantly turned on its head into ridiculous, glorious tragicomedy.
If you want an hour and a half of nothing but John Cleese's finest, most unadulterated work, with some superb performances from Michael Palin and Graham Chapman, pick up this, Cleese's manifesto, his bitter screed against the most indefensible species: humanity.
 OK, not as polished as later work, feels dated. October 8, 2007
Michael A. Kinsella (Wilsonville, Oregon USA)
This is early work, and the team became much better with experience. People who are into the history and development of the Monty Python humour will enjoy this. But anyone expecting the polished sophistication of "Fawlty Towers" or "Monty Python" is likely to be somewhat disappointed.
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